High-Performance Graphics 2022

Virtual Conference: July 11-14, In-Person Reception & Keynote: August 7

Free Cornell Box

Cornell Box Deliveries

Please note: the Cornell Boxes were unexpectedly popular, which has slightly complicated the manufacturing process. They are being produced as quickly as possible, subject to Andrew not becoming more of a gibbering wreck than usual, and will be shipped out as soon as they can; we hope to reward your patience by ironing out a few of the bugs which got glued to the paint in the first run. They'll be with you as soon as we can manage it, and this page will be updated with progress soon. We know who you are, we know where you live, for once this is a good thing (there are no obvious mob connections in the committee, although there might be a few dons in the academic sense) — but do let us know if you're moving before we ship!

Premium registrants at HPG 2022 will receive a free physical Cornell Box. Many graphics professionals will be aware of the Cornell Box as a test case for global illumination and light transport solutions. The basic box consists of two colored walls, a white back wall, ceiling and floor, and a white area light source in the ceiling (the light bounces off the walls and illuminates parts of the box and anything inside, and the coloring makes it easier to identify the light path); it looks like this:

Empty Cornell Box
An empty Cornell Box

Obviously any HPG attendee is capable of rendering a Cornell Box on a computer, so we need proof that this is a physical object:

Illuminated Cornell Box
The wooden Cornell Box, with light

This is professionally laser-cut maple plywood, hand (spray-)painted by an idiot who's only just worked out how to operate a spray gun. Final versions should be a little tidier than the prototype shown here, now I'm less optimistic about how much masking is necessary.

The box provided merely comes with a hole as a ceiling light. One reason for this is that the ideal diffuser likely depends on the brightness and size of your light source, so we didn't want to waste resources providing something inappropriate. Tissue or grease-proof paper would likely work well, and for brighter lights you might find a plastic end-stop for tubular furniture would work, and lock into place. These examples use a translucent camera body cap under a large flashlight. We'll come back to the other reason not to have a fitted diffuser below.

Note that it's quite hard to avoid light entering the front of the box from introducing shadows; fortunately in my experience asking computer scientists to sit in a dark room has not been a major problem.

A Cornell Box traditionally has a number of objects with interesting material properties placed inside. That serves the dual purpose of being useful as a reference for rendering algorithms and making the box into a passable shelf ornament (although it does make it tricky to move):

Cornell Box with different balls in it
Material design

These are 40mm spheres — glass, obsidian and steel. The steel one is a ball bearing (ineffectually polished). The glass ball is sold as a "birthday gift" or "home decor" (you might like to find a supplier who doesn't send one through the post without any padding if you'd like to avoid scratches). The obsidian one is sold as being "for fengshui, crystal healing and divination". This will no doubt result in some annoying Amazon recommendations; you're welcome.

Pro tip: small rubber bands are useful to stopping spheres rolling around on a flat surface. (The base is designed so that it should sag towards the back, rather than sagging to the front and tipping things out, but I wouldn't rely on this.) A more pro pro might have sourced white rubber bands.

One might reasonably decide that this is a bit decorative, and that if your interests are more sporting, this might make for a presentation/storage box:

Cornell Box with sporting balls
Sporting balls

If it's not obvious, that's a golf ball, a squash ball and a (faux) table-tennis ball. Please note: these are not my sports, but they do offer some interesting BRDFs — and the box size was chosen specifically to accommodate them (you might get one tennis ball in there, but apologies if you're into kicking a bladder).

One might be more of the persuasion that one's leisure activities are based around (mostly) Platonic solids with helpfully numbered faces — obviously useful when visualising transformations and projections:

Cornell Box with geometric shapes
Coarse tessellation

For the collector, that option has the advantage that one can also find area light emitters to place in the scene:

Cornell Box with phosphorescence
Light-emitting die-ode

Of course, other sports are available, and I would be remiss were I not to squeeze in that, at the time of writing, I'm the world number 5 at tiddlywinks (and I swear the most recent tournament is entirely coincidental!)

Cornell Box with tiddlywinks
Green to pot out

The aforementioned other reason to have a hole in the ceiling is that one can also use lasers to provide a directed light source:

Cornell Box red laser
650nm red laser
Cornell Box green laser
532nm green laser
Cornell Box blue laser
405nm blue(ish) laser

One unfortunate side-effect of using 200mW lasers with shiny targets is that I didn't dare look into the box to aim, so the effect is a bit random.

One might also be tempted to try to model participating media — for example by buying an ultrasonic mister and holding it over the box, with a cake cover underneath it to try to catch the splashes.

Cornell Box participating media
It's the participation that counts

I'm here to tell you that was a massive pain, and if you're not trying to do this on one of the hottest nights of the year, just boil a kettle near it instead. (I'm not taking responsibility for advocating vaping among the graphics community, however.)

Of course, one might want a useful item on the desk rather than a decorative one. Conveniently, especially if you don't mind getting marks on the back face, the Cornell Box doubles as a desk tidy (with apologies for my limited amount of stationery with a graphics company theme):

Cornell Box desk tidy
One part of my desk is tidy!

Note: I have found desk tidies to be useful in the modern paperless office as a way to stop tools from falling off bookshelves. It doesn't work, and I've had a stud detector hit me on the head. I didn't take it as a compliment.

Finally, experts in the history of the Cornell Box may be aware that in some appearances (including the original), the face shown green so far was actually blue. Good news! For the price of a five-face box, you get one extra face free, so you can choose whether you're prefer blue to green or red.

Cornell Box colors
Red, green... blue!

Assembling (and linking)

The box ships as a six-piece flat pack:

Cornell Box sections

To assemble your box (for a group of graphics professionals this should not be difficult, so eat your heart out Ikea...):

  1. Find the "floor" and position it with the white face up and logo facing down. (The logo is the right way up if the box is used as a desk tidy.)
  2. Pick two of the three colored walls, by preference. Position them vertically and interlock one long slot of each with the floor, with the colored surfaces facing each other:
    Push the slots as far together as they go:
  3. Tilt the colored walls out slightly, then, with the logo upright (the longer tabs on the sides) and the white face towards the inside of the box, slide the back face in from the top.

    There should be just enough room for the side tabs to slot into the holes at the back of the faces. When fully inserted, the bottom tab of the back face should fit into the slot in the floor, and it should be possible to push the walls to be vertical, tight against the sides of the back face, with the back face side tabs fully hidden in the slots at the back of the walls.
  4. Position the ceiling face with the white side facing down (into the box), and interlock the arms on either side with the corresponding slots on the colored walls.

    The enclosed slot near the edge of the ceiling tile should be at the back of the box; the face will likely stop when it comes in contact with the short tab at the top of the back face.

  5. Reaching into the box, push upwards on the corners of the ceiling piece (inside the box). In theory, the light hole should weaken the ceiling to make this easier, but the plywood is still fairly substantial, so some force will be necessary; ideally push in the corners rather than the centre to avoid stressing the thinner cross-piece. Once you've lifted the corners enough to clear the tab in the back face, use your third hand and the tolerance in the back face to push the tab under the edge of the ceiling. You might find it helpful to use a screwdriver (or two) to lift the back of the ceiling piece, levering against the back face, but there is some risk of scratching the paint or marking the wood, so this should probably not be the first choice.
  6. At this point the outward pressure on the ceiling will make it hard to slide the ceiling into place over the back face. You can use the rock-hard pecs associated with software engineers, or whack it with a hammer. For reasons I'm sure will be unexpected to all, I prefer the latter. Ideally use a hammer with a soft covering so as to avoid marking the wood, and alternate which side you hit in order to keep it even.
  7. If you want to change out the colored faces, or simply dismantle the box for travel, you will need to be able to lift the rear of the ceiling enough to get it past the back face upper tab. The good news is that it is easier to grip the upper edges of the walls with the fingers and push the corners of the ceiling up with your thumbs. The bad news is that this doesn't leave you with a way to push the ceiling towards the front of the case; you'll likely want to push the base with your third hand to get the tab to wedge under the back fo the ceiling, then whack it with a hammer (on the corners of the inner part of the ceiling) again until it clears the tab — after which it should slide out. Again it may be useful to use a screwdriver or two to lift the end of the ceiling, but it's easy to mark the wood or scratch paint when doing this. At the time of writing I've not broken one yet — 6mm plywood is fairly robust — but good luck.

You may find it looks nice if you wood stain it a bit darker — but it's a pain to try to do this in bulk, so that has been left as a project for the recipient.


  • Paint gets everywhere. I have attempted to remove any splatters that managed to get onto the back of an object sitting on a flat surface by quantum tunnelling, but did not always succeed. I had to balance:
    • How much I care, out of professional pride.
    • How much I thought you'd care how perfect it is.
    • How much I care whether you care, because I'm not built for this.
    You may wish to spend even longer with some fine-grain sandpaper than I did.
  • The process involved the wood sitting in my garden, making the grass weird colors. The process necessarily involved some bugs. You may consider them areas of bonus interest, and an opportunity to apply a denoising algorithm. You are referred to the student competition for ideas (but since the paint is water-based, you might get away with a damp Q-tip; this could go wrong, which is why I didn't try too hard).
  • Should you wish to touch up the paint, the colors (in Dulux terms) were:
    • Pure Brilliant White Matt
    • Russian Red (99RR 12/469)
    • Lush Grass (70GY 22/546)
    • Honest Indigo (77BB 07/344)
  • You probably won't get splinters, but if you do, I apologise — but HPG absolves itself of responsibility. It's wood.
  • The laser-cut outline will be made available shortly.

Physically-based rendering is hard...

Paint, paint covers everything
Hands and faces, walls and floor
Paint, paint covers everything
Now it's half way up the door
Paint will make your fingers brown
And your nails a funny color
Yes paint, paint covers everything
Matte or varnish, gloss or stain
Nothing here is ever getting clean again

— Andrew Garrard, Publicity Co-Chair and apparently HPG DIY consultant